He was considered by his peers, “Snaffles” (Charles Johnson Payne) and Lionel Edwards to be the best Equestrian Artist of his era excelling in the expressing of movement.
This is how I would like the world to have seen my Military career. The truth is I was always in the dust, literally and metaphorically.
Olympia 1934
Olympia 1934
The Household Cavalry receiving new Standards from HM The King. My Regiment, The Life Guards are on the right of the picture as you look at it.
Musical Ride of The Blues, The Royal Horse Guards.
Royal Horse Artillery
He was a most sensitive artist and highly thought of by his contemporaries particularly C.J. Payne (Snaffles) and Lionel Edwards. Lionel Edwards said of him “no one can, or ever could, paint a horse in action better than Gilbert could.” His style is an impressionistic one and his broad direct strokes enabled him to capture movement and action with success in any medium. His draughtsmanship was superbly disciplined. He probably excelled more than any other artist in portraying polo successfully and was a master at depicting speed. He worked in oil, charcoal, watercolor and pastel and frequently combined the latter three media.
Musical Ride of The Blues, The Royal Horse Guards.
Royal Horse Artillery
I found this about him.
He was a most sensitive artist and highly thought of by his contemporaries particularly C.J. Payne (Snaffles) and Lionel Edwards. Lionel Edwards said of him “no one can, or ever could, paint a horse in action better than Gilbert could.” His style is an impressionistic one and his broad direct strokes enabled him to capture movement and action with success in any medium. His draughtsmanship was superbly disciplined. He probably excelled more than any other artist in portraying polo successfully and was a master at depicting speed. He worked in oil, charcoal, watercolor and pastel and frequently combined the latter three media.